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Religious scholars mull Flying Spaghetti Monster

November 17th, 2007 · Comments Off

Flying Spagetti Monster - Niklas Jansson's adaptation of Michelangelo's The Creation of Adam

Flying Spaghetti Monster - Touched by his noodly appendage. (Wikipedia)

AP, Religious scholars mull Flying Spaghetti Monster:

“”For a lot of people they’re just sort of fun responses to religion, or fun responses to organized religion. But I think it raises real questions about how people approach religion in their lives,” said Samuel Snyder, one of the three Florida graduate students who will give talks at the meeting next Monday along with Alyssa Beall of Syracuse University.

The presenters’ titles seem almost a parody themselves of academic jargon. Snyder will speak about “Holy Pasta and Authentic Sauce: The Flying Spaghetti Monster’s Messy Implications for Theorizing Religion,” while Gavin Van Horn’s presentation is titled “Noodling around with Religion: Carnival Play, Monstrous Humor, and the Noodly Master.”

Using a framework developed by literary critic Mikhail Bakhtin, Van Horn promises in his abstract to explore how, “in a carnivalesque fashion, the Flying Spaghetti Monster elevates the low (the bodily, the material, the inorganic) to bring down the high (the sacred, the religiously dogmatic, the culturally authoritative).”"

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I Contain Multitudes - Mikhail Bakhtin: The Word in the World by Graham Pechey

June 28th, 2007 · Comments Off

mikhail bakhtin Terry Eagleton in London Review of Books:

“For the past three decades, Mikhail Bakhtin has been more of an industry than an individual. Not only an industry, in fact, but a flourishing transnational corporation, complete with jet-setting chief executives, global conventions and its own in-house journal. In the field of cultural theory, this victim of Stalinism is now big business. Most of the mouth-filling terms he coined – dialogism, double-voicedness, chronotope, heteroglossia, multi-accentuality – have passed into the lexicon of contemporary criticism. A cosmopolitan coterie of scholars, some of whom have devoted a lifetime to his texts, have long since struggled to appropriate him for their own agendas. Is he a Marxist, neo-Kantian, religious humanist, discourse theorist, literary critic, cultural sociologist, ethical thinker, philosophical anthropologist, or all these things together?”

Ter introductie: Mikhail Bakhtin (wikipedia)

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