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The secrets of successful art collectors

November 13th, 2007 · Comments Off

Herbert and Dorothy Vogel

Herbert and Dorothy Vogel - (NY Times)

Times, The secrets of successful art collectors:

“So what makes a great collector? Money obviously helps. The world of collecting is dominated by a roll-call of grand dynastic names. It is a playground of tycoons. But cash alone, in this game, is far from sufficient. J. Paul Getty missed dozens of opportunities because he was mean, whereas the Menils, even though they were wealthy, were prepared to go into debt for something they really desired. And a handful of great collectors have started out with extraordinarily little. There are the Vogels, for instance, a childless couple who, meeting their living expenses with her librarian’s salary, spent his entire income as a post-office clerk amassing a spectacular collection of Minimalist pieces.”

Lees ook: James Stourton’s top five art collectors.

En luister: James Stourton, de baas van Sotheby’s UK, in BBC’s Start of The Week over zijn recent verschenen boek The secrets of successful art collectors.

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My Kid Could Paint That

October 5th, 2007 · Comments Off

Marla Olmstead
Slate: My Kid Could Paint That

“Marla Olmstead made her first abstract painting while still diapers, crouching on her parents’ dining-room table. She was not yet 2. Her big break came when she was 3, and a family friend hung her paintings in a coffee shop in her hometown of Binghamton, N.Y. By the time she was 4, she was scarfing down cookies at the packed opening of her first solo gallery show. A local reporter covered the story, and the New York Times picked it up. Soon, news crews from all over were rushing to report on the adorable blond moppet and her colorful canvases, calling her a “budding Picasso,” a “pint-sized Pollock.” Within a few months, she sold more than $300,000 worth of paintings. And then, just short of her 5th birthday, the bubble burst. In February 2005, 60 Minutes aired a report by Charlie Rose implying that Marla’s father, a night-shift manager at a Frito-Lay plant and an amateur painter himself, was guiding her compositions. Sales of the paintings quickly dried up, the family was barraged with hate mail, and the New York Post gleefully piled on the puns, reporting that “the juvenile Jackson Pollock may actually be a full-fledged Willem de Frauding.”

(…)

“In his new documentary, My Kid Could Paint That, director Amir Bar-Lev traces Marla’s sensational rise and fall, focusing on the media feeding frenzy and on the Olmsteads’ efforts to prove that Marla created her paintings unaided. Whatever the degree of parental coaching, Bar-Lev’s footage reveals a child who clearly enjoys painting. We see her squeezing gobs of thick acrylic paint directly from the tube onto the canvas, smooshing it around with brushes, fingers, and spatulas, and using plastic squeeze bottles to add delicate squiggles and swirls. Yet, when Bar-Lev tries to film her creating a single work from start to finish, the camera-shy toddler grows silly and restless, and in one incriminating scene, begs her father to draw a smiley face on her picture. (He declines, grinning nervously.)”

Zie ook marlaolmstead.com en de Charlie Rose’ 60 minutes.

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The Damien Hirst of Delhi

February 20th, 2007 · Comments Off

Chimta, by Subodh Gupta (2005) The Guardian: “Gupta is among a generation of young Indian artists whose commentary tells of a country on the move, fuelled by boiling economic growth and a more materialistic mindset. Despite reflecting these changes in their art, the new generation of painters and sculptors are themselves part of the boom.”

Zie ook Saffronart.com.

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November 16th, 2006 · Comments Off

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